Sound is profoundly important to a success of a nightclub. As opposed to the popular belief the quality of Loudspeaker is just one factor, although an important one, in what it takes for a club to sound excellent. Other aspects being the acoustics of the venue, amplifier, management systems, speaker placement, external noises, venue capacity, etc. This article takes you through sound systems Orlando design.
There is nothing worth the experience of a good music. Duke Ellington once said, "There are two types of music, good and bad. If you like it, it's good music." However, there are some factors that determine the validity and suitability of the system. The first consideration before building a bicycle sound system is to ask yourself exactly what is it for? Now this may sound like a stupid question but consider:
Is the music for your own enjoyment, other cyclists riding with you, or members of the public watching? Will you be riding the bike whilst the music is playing? (Probably answered in the first question) Would you like to play just your own music or have facilities, i. E. Mixing desk, microphones, to make the system more flexible? Would you wish to hire out the system at festivals and other events? Where would the system be stored when not in use? How would you get the system to the events?
Woofers on the other hand, range from 40 Hz to 2,000 Hz mid-range frequencies, and are smaller than subwoofers. Tweeters range from 2,000 Hz to 20,000 Hz, which places it at the upper end of human ear frequency response, and these are typically the smallest of the three types. All three speaker types combined cover the entire spectrum of the human ear listening experience while at the same time providing the clarity associated with each component.
Why he is using a particular speaker, in terms of frequency response, SPL level, dispersion etc.? Why speakers are placed in a particular place? Are they covering the entire venue? Where are the acoustically sweet and dead spots located inside your venue? How he has defined different zones for your venue? Areas with loud music, peppy music, background music.
There has to be a balance between what is audible, the fidelity of the reproduction, what can be afforded, and what is practical. A super loud system can not only annoy the neighborhood and attract the police but it becomes really heavy and is impossible to move. Remember there is not just the weight of the speakers, there are also batteries and amplifiers that have to be carried.
How will the music in the venue change over time as the speaker age over time and what needs to be done to take care of it? Is your system safe from a novice handling it? Are enough protection measures provided so that the system does not blow-off if someone accidentally pulls of a lead from a speaker or amplifier or presses a wrong button? Who is authorized to touch systems for repairs and what service level is your AV Integrator providing?
Critically the amplifier must not be overdriven. This usually happens when the output of the amplifier is not enough for the situation. Everything is turned to max to compensate and there is distortion. We have all heard it, in cars, clueless DJ's, PA systems... The crazy thing is that turning it down just a bit will reduce the volume very slightly but everything can now be heard properly without distortion.
There is nothing worth the experience of a good music. Duke Ellington once said, "There are two types of music, good and bad. If you like it, it's good music." However, there are some factors that determine the validity and suitability of the system. The first consideration before building a bicycle sound system is to ask yourself exactly what is it for? Now this may sound like a stupid question but consider:
Is the music for your own enjoyment, other cyclists riding with you, or members of the public watching? Will you be riding the bike whilst the music is playing? (Probably answered in the first question) Would you like to play just your own music or have facilities, i. E. Mixing desk, microphones, to make the system more flexible? Would you wish to hire out the system at festivals and other events? Where would the system be stored when not in use? How would you get the system to the events?
Woofers on the other hand, range from 40 Hz to 2,000 Hz mid-range frequencies, and are smaller than subwoofers. Tweeters range from 2,000 Hz to 20,000 Hz, which places it at the upper end of human ear frequency response, and these are typically the smallest of the three types. All three speaker types combined cover the entire spectrum of the human ear listening experience while at the same time providing the clarity associated with each component.
Why he is using a particular speaker, in terms of frequency response, SPL level, dispersion etc.? Why speakers are placed in a particular place? Are they covering the entire venue? Where are the acoustically sweet and dead spots located inside your venue? How he has defined different zones for your venue? Areas with loud music, peppy music, background music.
There has to be a balance between what is audible, the fidelity of the reproduction, what can be afforded, and what is practical. A super loud system can not only annoy the neighborhood and attract the police but it becomes really heavy and is impossible to move. Remember there is not just the weight of the speakers, there are also batteries and amplifiers that have to be carried.
How will the music in the venue change over time as the speaker age over time and what needs to be done to take care of it? Is your system safe from a novice handling it? Are enough protection measures provided so that the system does not blow-off if someone accidentally pulls of a lead from a speaker or amplifier or presses a wrong button? Who is authorized to touch systems for repairs and what service level is your AV Integrator providing?
Critically the amplifier must not be overdriven. This usually happens when the output of the amplifier is not enough for the situation. Everything is turned to max to compensate and there is distortion. We have all heard it, in cars, clueless DJ's, PA systems... The crazy thing is that turning it down just a bit will reduce the volume very slightly but everything can now be heard properly without distortion.
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